This is a bit dated, but wanted to archive it on the web. I wrote this for Surrender to the Flow the independent newspaper in the Phish tour community. It was featured in the NYE edition #36.
by Mike Akers
The newest DVD release from Phish is a legendary show from
the considerably popular summer tour in 1998.
Star Lake 98, recorded live August 11th, 1998 in
Burgettstown, Pennsylvania is archived video from the venue’s three-camera general
admission video feed. Phish’s own label
JEMP is handling the release. In fact,
this particular show is the only show released in full by the band for that
particular summer. The “summer of
covers” is how fans identify the summer’s diverse one off cover selections the
band chose for each stop on tour. The
two-disc set was made available for pre-order in late November and shipped to
fans just in time for the holidays. The
set was made available to order directly on December 11th. The audio from the show can also be
downloaded on livephish.com.
Fans who pre-ordered the release
received a one-disc bonus compilation (So
Inclined) of Phish archivist Kevin Shapiro’s favorite selections from past
Phish performances in Burgettstown. A
mix of song selections from 1997, 1999 and 2000 were included on the bonus disc. Shapiro noted, “Star Lake 98 was the twentieth of the summer to showcase the
loose, experimental vibe of a tour that began in Europe and jumped to the
United States en-route to the summer’s ending Lemonwheel festival.” The summer ending festival in Limestone would
have a late night ambient set to pay homage to this particular chapter in
Phish’s jamming catalog. Shapiro added, “The introduction of a never-before-played
cover each night earned the tour the nickname “summer of covers” from fans and
Star Lake’s contribution was a Trench Town Rock opener.”
The video was reformatted from analog VHS tapes to digital DVD. A three camera shoot captured all the footage
from the built in amphitheater camera feeds.
One important thing you should consider when watching the DVD set at
home on a high definition TV is to set your video display to 4:3 instead of
16:9 so it does not appear stretched. The picture quality is nothing incredible, but
you will have to remember how far high definition video technology has come in
the last ten years. Looking at it from a production standpoint,
the release was an afterthought so you cannot really criticize the video
quality. The re-mastered audio is the
real treat here. A popular show
previously circulating only as an audience recording gets a serious upgrade for
audiophiles. Current LivePhish.com
remote sound engineer (and Phish studio engineer) Jon Altschiller mixed the
audio from multi track analog master tapes recorded by Paul Languedoc to stereo
PCM (2-channel uncompressed digital audio) and 5.1-surround sound.
Artwork is something that always is a critical element to
Live Phish releases. The eclectic style
of the Star Lake 98 packaging is nothing new to Landland as they have designed several pieces of artwork for other
notable musicians today including Bon Iver, Andrew Bird, Bob Mould and even the
Black Keys. Show posters and album
artwork seem to be LandLand’s specialty.
As stated, this tour was dubbed the summer of covers and Bob
Marley’s reggae staple Trenchtown Rock
surprised fans as a show opener. Having
hooked the crowd from the get-go, they took the song’s momentum and the
audience’s into a rowdy Julius. A
highlight heavy set one includes a funk heavy Wolfman’s Brother which feeds itself into Little Feat’s classic
from the album of the same name, Time
Loves a Hero. It was the first time
in almost ten years Phish tackled the song and they have only busted it out 4
times since the 1.0 era. Bittersweet
Motel made its sixth appearance at this show and got a huge ovation from the
crowd after the locals heard the line, “Halfway
Between Eerie and Pittsburgh.” It
also earned itself a bit of banter afterwards. The once extremely popular live
tune for the band Fee made only its
third appearance this year, the first stateside.
Getting back to the ambient jamming, the set two opener Runaway Jim was only a precursor to what
would happen a few days later in Limestone.
The technical preciseness the
band displayed here is what Phish fans come to see at a live show. Meat
and Limb by Limb, fresh off of the
Story of the Ghost album made a set two appearance and was surprisingly
conducive to the experimentation and improvisation. The Los Lobos tune, When the Circus Comes and Down
with Disease make a sound pairing as well.
Another local reference made in the lyrics of Wilson (King of Prussia) got a rousing ovation during the
encore.
Due
to the quality of the video, this five star performance will get four
stars. As noted, the audio is the
winning factor here and worth the purchase of the set alone. This only has me wondering, where is the HD
release?
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